As per our current Database, Tzeni Karezi has been died on Jul 27, 1992 (age 60).
When Tzeni Karezi die, Tzeni Karezi was 60 years old.
| Popular As | Tzeni Karezi |
| Occupation | Movie Actress |
| Age | 60 years old |
| Zodiac Sign | Capricorn |
| Born | January 12, 1932 (Greece) |
| Birthday | January 12 |
| Town/City | Greece |
| Nationality | Greece |
Tzeni Karezi’s zodiac sign is Capricorn. According to astrologers, Capricorn is a sign that represents time and responsibility, and its representatives are traditional and often very serious by nature. These individuals possess an inner state of independence that enables significant progress both in their personal and professional lives. They are masters of self-control and have the ability to lead the way, make solid and realistic plans, and manage many people who work for them at any time. They will learn from their mistakes and get to the top based solely on their experience and expertise.
Tzeni Karezi was born in the Year of the Monkey. Those born under the Chinese Zodiac sign of the Monkey thrive on having fun. They’re energetic, upbeat, and good at listening but lack self-control. They like being active and stimulated and enjoy pleasing self before pleasing others. They’re heart-breakers, not good at long-term relationships, morals are weak. Compatible with Rat or Dragon.
One of the most admired actresses in the history of Greek cinema, she starred in The Red Lanterns, a movie that was nominated for Best Foreign Language Film at the 1963 Academy Awards.
She studied with Playwright Angelos Terzakis and Director Dimitris Rontiris at the Greek National Theater.
Her 1963 film The Red Lanterns brought her international acclaim.
She and her second husband, Greek actor, Director, and Politician Kostas Kazakos, were briefly imprisoned for their participation in the 1973 play Our Big Circus, which was deemed a mockery of the Greek dictatorship.
Her involvement in theater continued after her retirement from film acting, and she appeared in such productions as Edward Albee's Who's Afraid of Virginia Woolf?, Euripides' Medea, and Sophocles' Electra.
