As per our current Database, Tina Rodriguez is still alive (as per Wikipedia, Last update: May 10, 2020).
Currently, Tina Rodriguez is 100 years, 3 months and 3 days old. Tina Rodriguez will celebrate 101rd birthday on a Friday 19th of September 2025. Below we countdown to Tina Rodriguez upcoming birthday.
| Popular As | Tina Rodriguez |
| Occupation | Actress |
| Age | 100 years old |
| Zodiac Sign | Libra |
| Born | September 19, 1924 ( San Antonio, Texas, United States) |
| Birthday | September 19 |
| Town/City | San Antonio, Texas, United States |
| Nationality | United States |
Tina Rodriguez’s zodiac sign is Libra. According to astrologers, People born under the sign of Libra are peaceful, fair, and they hate being alone. Partnership is very important for them, as their mirror and someone giving them the ability to be the mirror themselves. These individuals are fascinated by balance and symmetry, they are in a constant chase for justice and equality, realizing through life that the only thing that should be truly important to themselves in their own inner core of personality. This is someone ready to do nearly anything to avoid conflict, keeping the peace whenever possible
Tina Rodriguez was born in the Year of the Rat. Those born under the Chinese Zodiac sign of the Rat are quick-witted, clever, charming, sharp and funny. They have excellent taste, are a good friend and are generous and loyal to others considered part of its pack. Motivated by money, can be greedy, is ever curious, seeks knowledge and welcomes challenges. Compatible with Dragon or Monkey.
Rodriguez studied at the Sorbonne in 1990. He received his Bachelor of Fine Arts degree from the San Francisco Art Institute and his Master of Fine Arts from the University of New Mexico.
The exhibition Tino Rodríguez: The Darkening Garden/El Jardin al Anochecer was featured at the San Jose Museum of Art in 2003.
A citizen of the world, Rodriguez rejects the seriousness and sterility of modernism for the fantastic iconographic wonders of postmodernism and post colonialism. In addition, his paintings – reflective but not literal, self-referential but not solely self-destructive – conjure events from his personal history in an attempt to engage the beholder in dialogue.
Thus, images of babies and fetuses as well as androgynous figures donning bridal veils populate his paintings, insisting that procreation, nurturing, creativity and beauty be the modus operandi open to all. The veils, in particular, are potent signifiers of his personal history. As a child, Rodriguez dressed up and danced in his sister’s first communion veil.
