As per our current Database, Suzy Delair has been died on 15 March, 2020 at Paris, France.
When Suzy Delair die, Suzy Delair was 103 years old.
| Popular As | Suzy Delair |
| Occupation | Actress |
| Age | 103 years old |
| Zodiac Sign | Capricorn |
| Born | December 31, 1917 (Paris, France) |
| Birthday | December 31 |
| Town/City | Paris, France |
| Nationality | France |
Suzy Delair’s zodiac sign is Capricorn. According to astrologers, Capricorn is a sign that represents time and responsibility, and its representatives are traditional and often very serious by nature. These individuals possess an inner state of independence that enables significant progress both in their personal and professional lives. They are masters of self-control and have the ability to lead the way, make solid and realistic plans, and manage many people who work for them at any time. They will learn from their mistakes and get to the top based solely on their experience and expertise.
Suzy Delair was born in the Year of the Snake. Those born under the Chinese Zodiac sign of the Snake are seductive, gregarious, introverted, generous, charming, good with money, analytical, insecure, jealous, slightly dangerous, smart, they rely on gut feelings, are hard-working and intelligent. Compatible with Rooster or Ox.
Prototype of the sexy cheeky French lady, Suzy Delair was discovered by Henri-Georges Clouzot, who became her companion and gave her two memorable roles : Mila Malou, inspector Wens' unbearable girlfriend in two films, Le dernier des six (1941), which he wrote, and The Murderer Lives at Number 21 (1942), which he penned and directed; and the mythical one of Jenny Lamour, a frivolous music-hall singer prepared to do anything to become famous who makes her poor husband insanely jealous in Quai des Orfèvres (1947).
The rest of her filmography is rather disappointing, with a few exceptions such as Jean Grémillon's Pattes blanches (1949) , where she is -once again - an unfaithful companion ; Gervaise (1956), René Clément's masterpiece as Gervaise's obnoxious rival or Luchino Visconti's Rocco and His Brothers (1960), another cinema milestone, even if her part in this film is minor.
An excellent singer (Who has forgotten "Avec son tra la la"?), delightful in operettas, Suzy Delair could hardly choose between her two careers. This may be the reason why she missed out on more great roles than she finally interpreted.
Nevertheless, Mila Malou and Jenny Lamour are now part of the French film heritage. Not everybody can boast having left such an imprint on several generations of movie-goers.
