Peter Greenaway

About Peter Greenaway

Who is it?: Director, Writer, Editor
Birth Day: April 05, 1942
Birth Place:  Newport, Gwent, Wales, United Kingdom
Occupation: Film director, screenwriter, and artist

Peter Greenaway

Peter Greenaway was born on April 05, 1942 in  Newport, Gwent, Wales, United Kingdom, is Director, Writer, Editor. Peter Greenaway trained as a painter and began working as a film editor for the Central Office of Information in 1965. Shortly afterwards he started to make his own films. He has produced a wealth of short and feature-length films, but also paintings, novels and other books. He has held several one-man shows and curated exhibitions at museums world-wide.
Peter Greenaway is a member of Director

Does Peter Greenaway Dead or Alive?

As per our current Database, Peter Greenaway is still alive (as per Wikipedia, Last update: May 10, 2020).

🎂 Peter Greenaway - Age, Bio, Faces and Birthday

Currently, Peter Greenaway is 82 years, 6 months and 28 days old. Peter Greenaway will celebrate 83rd birthday on a Saturday 5th of April 2025. Below we countdown to Peter Greenaway upcoming birthday.

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Hours
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Popular As Peter Greenaway
Occupation Director
Age 81 years old
Zodiac Sign Taurus
Born April 05, 1942 ( Newport, Gwent, Wales, United Kingdom)
Birthday April 05
Town/City  Newport, Gwent, Wales, United Kingdom
Nationality United Kingdom

🌙 Zodiac

Peter Greenaway’s zodiac sign is Taurus. According to astrologers, Taurus is practical and well-grounded, the sign harvests the fruits of labor. They feel the need to always be surrounded by love and beauty, turned to the material world, hedonism, and physical pleasures. People born with their Sun in Taurus are sensual and tactile, considering touch and taste the most important of all senses. Stable and conservative, this is one of the most reliable signs of the zodiac, ready to endure and stick to their choices until they reach the point of personal satisfaction.

🌙 Chinese Zodiac Signs

Peter Greenaway was born in the Year of the Horse. Those born under the Chinese Zodiac sign of the Horse love to roam free. They’re energetic, self-reliant, money-wise, and they enjoy traveling, love and intimacy. They’re great at seducing, sharp-witted, impatient and sometimes seen as a drifter. Compatible with Dog or Tiger.

Some Peter Greenaway images

Biography/Timeline

1962

In 1962, Greenaway began studies at Walthamstow College of Art, where a fellow student was musician Ian Dury (later cast in The Cook, the Thief, His Wife & Her Lover). Greenaway trained as a muralist for three years; he made his first film, Death of Sentiment, a churchyard furniture essay filmed in four large London cemeteries. In 1965, he joined the Central Office of Information (COI), working there fifteen years as a film Editor and Director. In that time he created a filmography of experimental films, starting with Train (1966), footage of the last steam trains at Waterloo station (situated behind the COI), edited to a musique concrète composition. Tree (1966), is a homage to the embattled tree growing in concrete outside the Royal Festival Hall on the South Bank in London. By the 1970s he was confident and ambitious and made Vertical Features Remake and A Walk Through H. The former is an examination of various arithmetical editing structures, and the latter is a journey through the maps of a fictitious country.

1980

In 1980, Greenaway delivered The Falls (his first feature-length film) – a mammoth, fantastical, absurdist encyclopaedia of flight-associated material all relating to ninety-two victims of what is referred to as the Violent Unknown Event (VUE). In the 1980s, Greenaway's cinema flowered in his best-known films, The Draughtsman's Contract (1982), A Zed & Two Noughts (1985), The Belly of an Architect (1987), Drowning by Numbers (1988), and his most successful (and controversial) film, The Cook, the Thief, His Wife & Her Lover (1989). Greenaway's most familiar musical collaborator during this period is Composer Michael Nyman, who has scored several films.

1989

In 1989, he collaborated with Artist Tom Phillips on a television serial A TV Dante, dramatising the first few cantos of Dante's Inferno. In the 1990s, he presented Prospero's Books (1991), the controversial The Baby of Mâcon (1993), The Pillow Book (1996), and 8½ Women (1999).

1990

In the early 1990s, Greenaway wrote ten opera libretti known as the Death of a Composer series, dealing with the commonalities of the deaths of ten composers from Anton Webern to John Lennon, however, the other composers are fictitious, and one is a character from The Falls. In 1995, Louis Andriessen completed the sixth libretto, Rosa – A Horse Drama. He is currently professor of cinema studies at the European Graduate School in Saas-Fee, Switzerland.

2005

On 17 June 2005, Greenaway appeared for his first VJ performance during an art club evening in Amsterdam, Netherlands, with music by DJ Serge Dodwell (aka Radar), as a backdrop, 'VJ' Greenaway used for his set a special system consisting of a large plasma screen with laser controlled touchscreen to project the ninety-two Tulse Luper stories on the twelve screens of "Club 11", mixing the images live. This was later reprised at the Optronica festival, London.

2007

On 12 October 2007, he created the multimedia installation Peopling the Palaces at Venaria Reale at the Royal Palace of Venaria that animates the Palace with 100 videoprojectors.

2008

In 2006, Greenaway began a series of digital video installations, Nine Classical Paintings Revisited, with his exploration of Rembrandt's Night Watch in the Rijksmuseum in Amsterdam. On 30 June 2008, after much negotiation, Greenaway staged a one-night performance 'remixing' da Vinci's The Last Supper in the refectory of Santa Maria delle Grazie in Milan to a select audience of dignitaries. The performance consisted of superimposing digital imagery and projections onto the painting with music from the Composer Marco Robino.

2009

Greenaway exhibited his digital exploration of The Wedding at Cana by Paolo Veronese as part of the 2009 Venice Biennial. An arts Writer for The New York Times called it "possibly the best unmanned art history lecture you'll ever experience," while acknowledging that some viewers might respond to it as "mediocre art, Disneyfied kitsch or a flamboyant denigration of site-specific video installation." The 50-minute presentation, set to a Soundtrack, incorporates closeup images of faces from the painting along with animated diagrams revealing compositional relations among the figures. These images are projected onto and around the replica of the painting that now stands at the original site, within the Palladian architecture of the Benedictine refectory on San Giorgio Maggiore. The Soundtrack features music and imagined dialogue scripted by Greenaway for the 126 "wedding guests, servants, onlookers and wedding crashers" depicted in the painting, consisting of small talk and banal chatter that culminates in reaction to the miraculous transformation of water to wine, according to the Gospels the first miracle performed by Jesus. Picasso's Guernica, Seurat's Grande Jatte, works by Jackson Pollock and Claude Monet, Velázquez's Las Meninas and Michelangelo's The Last Judgment are possible series subjects.

2011

Greenaway was interviewed for Clive Meyer's Critical Cinema: Beyond the Theory of Practice (2011), and voiced strong criticisms of film theory as distinct from discussions of other media: "Are you sufficiently happy with cinema as a thinking medium if you are only talking to one person?"

2016

On 3 May 2016, he received a Honoris Causa doctorate from the University of San Martín, Argentina.

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