As per our current Database, Oskar Sima has been died on 24 June, 1969 at Langenzersdorf, Lower Austria, Austria.
When Oskar Sima die, Oskar Sima was 73 years old.
| Popular As | Oskar Sima |
| Occupation | Actor |
| Age | 73 years old |
| Zodiac Sign | Leo |
| Born | July 31, 1896 (Hohenau an der March, Austria-Hungary) |
| Birthday | July 31 |
| Town/City | Hohenau an der March, Austria-Hungary |
| Nationality | Austria-Hungary |
Oskar Sima’s zodiac sign is Leo. According to astrologers, people born under the sign of Leo are natural born leaders. They are dramatic, creative, self-confident, dominant and extremely difficult to resist, able to achieve anything they want to in any area of life they commit to. There is a specific strength to a Leo and their "king of the jungle" status. Leo often has many friends for they are generous and loyal. Self-confident and attractive, this is a Sun sign capable of uniting different groups of people and leading them as one towards a shared cause, and their healthy sense of humor makes collaboration with other people even easier.
Oskar Sima was born in the Year of the Monkey. Those born under the Chinese Zodiac sign of the Monkey thrive on having fun. They’re energetic, upbeat, and good at listening but lack self-control. They like being active and stimulated and enjoy pleasing self before pleasing others. They’re heart-breakers, not good at long-term relationships, morals are weak. Compatible with Rat or Dragon.
This corpulent, balding character actor was a ubiquitous presence in German-speaking films for almost half a century. So much so, that a contemporary critic referred to him as 'the king of the supporting roles'.
A baker's son, Sima had at first aspired to become a writer. When this somehow failed to materialise, he went on to study drama at Vienna Conservatory. His first theatrical engagement in 1919 took him to the Deutsche Theater in Prague.
Afterwards, he was to divide his time on stage between Vienna and Berlin. From 1927, Sima came under the auspices of Max Reinhardt, who was astute enough to recognise his singular comic talent and had him cast in satirical or comedic roles.
Sima's screen career commenced in 1921. He made limited headway until the arrival of sound. All of a sudden, he started to average several films per year, often acting in commercially successful pictures like Die Fledermaus (1931), So ein Flegel (1934), Liebe, Tod und Teufel (1934), Glückskinder (1936), Gasparone (1937), Frau im Strom (1939) and Jenny und der Herr im Frack (1941).
His stock-in-trade character was the surly curmudgeon: sometimes villainous, cigar-chewing and choleric, sometimes shifty and scheming, all the while deceptively amiable. At other times, he provided effective, often scene-stealing comedy relief, as pompous, easily deflatable editors, industrialists or burgomasters.
Sima continued, unabated, during the post-war era, alternating comedies with romantic melodramas. In 1967, he was forced into retirement following a heart attack, retreating to his horse-breeding stud near Vienna.
During the national socialist era, Sima's stance towards the ruling regime seemed ambivalent. On the one hand, he vociferously applauded Austria's 'Anschluss' with Germany. He went as far as to join the NSDAP, ostensibly, in order to continue performing.
On the other hand, Sima appears also to have been associated with at least one resistance cell during the 1940's. Perhaps, that curious ambiguity accounted for his receiving the one major award of his prolific career, the Filmband in Gold, only just prior to his death in June 1969.
