As per our current Database, Nikolai Erdman has been died on Aug 10, 1970 (age 69).
When Nikolai Erdman die, Nikolai Erdman was 69 years old.
| Popular As | Nikolai Erdman |
| Occupation | Playwright |
| Age | 69 years old |
| Zodiac Sign | Scorpio |
| Born | November 16, 1900 (Russia) |
| Birthday | November 16 |
| Town/City | Russia |
| Nationality | Russia |
Nikolai Erdman’s zodiac sign is Scorpio. According to astrologers, Scorpio-born are passionate and assertive people. They are determined and decisive, and will research until they find out the truth. Scorpio is a great leader, always aware of the situation and also features prominently in resourcefulness. Scorpio is a Water sign and lives to experience and express emotions. Although emotions are very important for Scorpio, they manifest them differently than other water signs. In any case, you can be sure that the Scorpio will keep your secrets, whatever they may be.
Nikolai Erdman was born in the Year of the Rat. Those born under the Chinese Zodiac sign of the Rat are quick-witted, clever, charming, sharp and funny. They have excellent taste, are a good friend and are generous and loyal to others considered part of its pack. Motivated by money, can be greedy, is ever curious, seeks knowledge and welcomes challenges. Compatible with Dragon or Monkey.
Remembered for his 1928 play The Suicide, this Soviet Writer also penned a 1924 dramatic work titled The Mandate, as well as the screenplay for the 1928 silent movie The House on Trubnaya. Also a poet, he published a 1922 verse collection titled Self-Portrait.
He published his first poem at the age of nineteen. Five years later, he began his long-term collaboration with stage Director, Producer, and actor Vsevolod Meyerhold.
Much of his work was censored and banned by the Soviet government.
Natives of Moscow, Russia (then the Soviet Union), he and his theatrical set designer brother, Boris Erdman, were of Baltic German descent.
Erdman's work was influenced by the satirical plays of Nikolai Gogol and in turn influenced the post-war absurdist movement in Russian dramatic literature.
