As per our current Database, Natalie Kingston has been died on 2 February, 1991 at West Hills, Los Angeles, California, USA.
When Natalie Kingston die, Natalie Kingston was 86 years old.
| Popular As | Natalie Kingston |
| Occupation | Actress |
| Age | 86 years old |
| Zodiac Sign | Taurus |
| Born | May 19, 1905 (Vallejo, California, USA) |
| Birthday | May 19 |
| Town/City | Vallejo, California, USA |
| Nationality | USA |
Natalie Kingston’s zodiac sign is Taurus. According to astrologers, Taurus is practical and well-grounded, the sign harvests the fruits of labor. They feel the need to always be surrounded by love and beauty, turned to the material world, hedonism, and physical pleasures. People born with their Sun in Taurus are sensual and tactile, considering touch and taste the most important of all senses. Stable and conservative, this is one of the most reliable signs of the zodiac, ready to endure and stick to their choices until they reach the point of personal satisfaction.
Natalie Kingston was born in the Year of the Snake. Those born under the Chinese Zodiac sign of the Snake are seductive, gregarious, introverted, generous, charming, good with money, analytical, insecure, jealous, slightly dangerous, smart, they rely on gut feelings, are hard-working and intelligent. Compatible with Rooster or Ox.
She traced her lineage back to the first Spanish governor of California. Her great-grandfather on her mother's side was Hungarian-born Agoston Haraszthy, dubbed the father of Californian viticulture. Leggy, olive-complexioned Natalia Ringstrom grew up and was educated in the San Francisco Bay area.
Little is known of her early years, except that she was trained in traditional Spanish dance (including La Jota, the folk dance of Aragon), and, while still in her early teens, travelled the short distance to San Francisco to perform in cabaret.
She was spotted there as a blossoming talent by the renowned ballroom dancers Fanchon and Marco, eventually joining their revue on tour. Next stop: Broadway. Now billed as Natalie Kingston, she was featured as one of the chorines of the 1920 "Brevities" at the Winter Garden Theatre.
There was to be no career on the stage, however, since Natalie returned to California, soon to becoming a Mack Sennett Bathing Beauty.Natalie joined Sennett's Keystone 'Fun Factory' sometime in 1923. Over the next three years, the soulful-eyed brunette worked her way steadily up the cast list, from ornamental bit parts and walk-ons to fifth billing(Romeo and Juliet (1924)); fourth (Wall Street Blues (1924)); third (Galloping Bungalows (1924)); to finally co-starring with comic greats Harry Langdon, Billy Bevan and Ben Turpin in a series of classic two-reel farces, including Remember When? (1925) and His First Flame (1927) (as a gold digger).
When Natalie eventually left Sennett for Paramount, she had every intention of finding 'serious' dramatic work. Instead, the studio continued to use her as a bankable comedy asset in three back-to-back six-reel features: Wet Paint (1926), Miss Brewster's Millions (1926) and The Cat's Pajamas (1926), all palpable box-office hits.
In between flappers and 'nice girls', Natalie also had a turn as a vamp in Eddie Cantor's Kid Boots (1926). Her first dramatic role finally arrived as second lead in Ronald Colman's The Night of Love (1927).
By this time, her status had grown by virtue of being selected a WAMPAS Baby Star by the Western Association of Motion Picture Advertisers (an event for actresses deemed to have potential, usually accompanied by substantial media coverage).
Now under contract at First National, Natalie was given full star billing for her role as a Russian sculptress in the military burlesque Lost at the Front (1927).The following year, she came to the fore as girl castaway Mary Trevor in Tarzan the Mighty (1928).
The film generated sufficient revenue for Universal to warrant an immediate sequel, Tarzan the Tiger (1929), in which Natalie continued on as the heroine (albeit now as the screen's fifth 'Jane'). From then, it was pretty much all downhill.
With the advent of talking pictures, Natalie became one of many silent stars and starlets who, for one reason or another, failed to make the transition. There were a few supporting roles in B-graders with prophetic titles like Forgotten (1933).
Her final credited effort was an incongruously cast romantic comedy, His Private Secretary (1933), starring a very young John Wayne. After that, Miss Kingston faded from the scene and back into obscurity.
