Kar-Wai Wong

About Kar-Wai Wong

Who is it?: Writer, Director, Producer
Birth Day: July 17, 1958
Birth Place:  Shanghai, China, China
Origin: Hong Kong
Occupation: Director screenwriter producer
Years active: 1982–present
Awards Hong Kong Film AwardsGolden Bauhinia AwardsHong Kong Film Critics Society AwardsAsian Film AwardsGolden Horse AwardsOther awards: Awards Hong Kong Film Awards Best Director 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Picture 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Screenplay 2013 The Grandmaster Golden Bauhinia Awards Best Hong Kong Film of Past 10 Years 1997 Days of Being Wild Hong Kong Film Critics Society Awards Best Film 1994 Ashes of Time 2013 The Grandmaster Best Screenplay 1994 Ashes of Time Best Director 1994 Ashes of Time 2000 In the Mood for Love Film of Merit 1995 Fallen Angels 1997 Happy Together 2000 In the Mood for Love 2004 2046 Asian Film Awards Best Film 2013 The Grandmaster Best Director 2013 The Grandmaster Golden Horse Awards Best Director 1991 Days of Being Wild Other awards Best Director Award (Cannes Film Festival) 1997 Happy Together César Award for Best Foreign Film 2000 In the Mood for Love NSFC Award for Best Foreign Language Film 2001 In the Mood for Love NYFCC Award for Best Foreign Language Film 2000 In the Mood for Love 2004 2046 Hong Kong Film Awards Best Director 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Picture 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Screenplay 2013 The Grandmaster Golden Bauhinia Awards Best Hong Kong Film of Past 10 Years 1997 Days of Being Wild Hong Kong Film Critics Society Awards Best Film 1994 Ashes of Time 2013 The Grandmaster Best Screenplay 1994 Ashes of Time Best Director 1994 Ashes of Time 2000 In the Mood for Love Film of Merit 1995 Fallen Angels 1997 Happy Together 2000 In the Mood for Love 2004 2046 Asian Film Awards Best Film 2013 The Grandmaster Best Director 2013 The Grandmaster Golden Horse Awards Best Director 1991 Days of Being Wild Other awards Best Director Award (Cannes Film Festival) 1997 Happy Together César Award for Best Foreign Film 2000 In the Mood for Love NSFC Award for Best Foreign Language Film 2001 In the Mood for Love NYFCC Award for Best Foreign Language Film 2000 In the Mood for Love 2004 2046 Best Director 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Picture 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Screenplay 2013 The GrandmasterBest Hong Kong Film of Past 10 Years 1997 Days of Being WildBest Film 1994 Ashes of Time 2013 The Grandmaster Best Screenplay 1994 Ashes of Time Best Director 1994 Ashes of Time 2000 In the Mood for Love Film of Merit 1995 Fallen Angels 1997 Happy Together 2000 In the Mood for Love 2004 2046Best Film 2013 The Grandmaster Best Director 2013 The GrandmasterBest Director 1991 Days of Being WildBest Director Award (Cannes Film Festival) 1997 Happy Together César Award for Best Foreign Film 2000 In the Mood for Love NSFC Award for Best Foreign Language Film 2001 In the Mood for Love NYFCC Award for Best Foreign Language Film 2000 In the Mood for Love 2004 2046
Hong Kong Film AwardsGolden Bauhinia AwardsHong Kong Film Critics Society AwardsAsian Film AwardsGolden Horse AwardsOther awards: Hong Kong Film Awards Best Director 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Picture 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Screenplay 2013 The Grandmaster Golden Bauhinia Awards Best Hong Kong Film of Past 10 Years 1997 Days of Being Wild Hong Kong Film Critics Society Awards Best Film 1994 Ashes of Time 2013 The Grandmaster Best Screenplay 1994 Ashes of Time Best Director 1994 Ashes of Time 2000 In the Mood for Love Film of Merit 1995 Fallen Angels 1997 Happy Together 2000 In the Mood for Love 2004 2046 Asian Film Awards Best Film 2013 The Grandmaster Best Director 2013 The Grandmaster Golden Horse Awards Best Director 1991 Days of Being Wild Other awards Best Director Award (Cannes Film Festival) 1997 Happy Together César Award for Best Foreign Film 2000 In the Mood for Love NSFC Award for Best Foreign Language Film 2001 In the Mood for Love NYFCC Award for Best Foreign Language Film 2000 In the Mood for Love 2004 2046 Best Director 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Picture 1991 Days of Being Wild 1994 Chungking Express 2013 The Grandmaster Best Screenplay 2013 The GrandmasterBest Hong Kong Film of Past 10 Years 1997 Days of Being WildBest Film 1994 Ashes of Time 2013 The Grandmaster Best Screenplay 1994 Ashes of Time Best Director 1994 Ashes of Time 2000 In the Mood for Love Film of Merit 1995 Fallen Angels 1997 Happy Together 2000 In the Mood for Love 2004 2046Best Film 2013 The Grandmaster Best Director 2013 The GrandmasterBest Director 1991 Days of Being WildBest Director Award (Cannes Film Festival) 1997 Happy Together César Award for Best Foreign Film 2000 In the Mood for Love NSFC Award for Best Foreign Language Film 2001 In the Mood for Love NYFCC Award for Best Foreign Language Film 2000 In the Mood for Love 2004 2046
Traditional Chinese: 王家衛
Simplified Chinese: 王家卫
TranscriptionsStandard MandarinHanyu PinyinYue: CantoneseJyutping: Transcriptions Standard Mandarin Hanyu Pinyin Wáng Jiāwèi Yue: Cantonese Jyutping wong4 gaa1 wai6 Wáng Jiāwèiwong4 gaa1 wai6
Hanyu Pinyin: Wáng Jiāwèi
Jyutping: wong4 gaa1 wai6

Kar-Wai Wong

Kar-Wai Wong was born on July 17, 1958 in  Shanghai, China, China, is Writer, Director, Producer. Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Ah fei zing zyun (1990), Dung che sai duk (1994), Chung Hing sam lam (1994), Do lok tin si (1995), Chun gwong cha sit (1997), 2046 (2004) and My Blueberry Nights (2007), Yi dai zong shi (2013). His film Fa yeung nin wa (2000), starring Maggie Cheung and Tony Leung, garnered widespread critical acclaim. Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid imagery. Wong was the first Chinese director to win the Best Director Award of Cannes Film Festival (for his work Chun gwong cha sit in 1997). Wong was the President of the Jury at the 2006 Cannes Film Festival, which makes him the only Chinese person to preside over the jury at the Cannes Film Festival. He was also the President of the Jury at the 63rd Berlin International Film Festival in February 2013. In 2006, Wong accepted the National Order of the Legion of Honour: Knight (Highest Degree) from the French Government. In 2013, Wong accepted Order of Arts and Letters: Commander (Highest Degree) by the French Minister of Culture.
Kar-Wai Wong is a member of Writer

Does Kar-Wai Wong Dead or Alive?

As per our current Database, Kar-Wai Wong is still alive (as per Wikipedia, Last update: May 10, 2020).

🎂 Kar-Wai Wong - Age, Bio, Faces and Birthday

Currently, Kar-Wai Wong is 66 years, 4 months and 4 days old. Kar-Wai Wong will celebrate 67rd birthday on a Thursday 17th of July 2025. Below we countdown to Kar-Wai Wong upcoming birthday.

Days
Hours
Minutes
Seconds
Popular As Kar-Wai Wong
Occupation Writer
Age 66 years old
Zodiac Sign Leo
Born July 17, 1958 ( Shanghai, China, China)
Birthday July 17
Town/City  Shanghai, China, China
Nationality China

🌙 Zodiac

Kar-Wai Wong’s zodiac sign is Leo. According to astrologers, people born under the sign of Leo are natural born leaders. They are dramatic, creative, self-confident, dominant and extremely difficult to resist, able to achieve anything they want to in any area of life they commit to. There is a specific strength to a Leo and their "king of the jungle" status. Leo often has many friends for they are generous and loyal. Self-confident and attractive, this is a Sun sign capable of uniting different groups of people and leading them as one towards a shared cause, and their healthy sense of humor makes collaboration with other people even easier.

🌙 Chinese Zodiac Signs

Kar-Wai Wong was born in the Year of the Dog. Those born under the Chinese Zodiac sign of the Dog are loyal, faithful, honest, distrustful, often guilty of telling white lies, temperamental, prone to mood swings, dogmatic, and sensitive. Dogs excel in business but have trouble finding mates. Compatible with Tiger or Horse.

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Biography/Timeline

1958

Wong Kar-wai was born on 17 July 1958 in Shanghai, the youngest of three siblings. His father was a Sailor and his mother was a housewife. By the time Wong was five years old, the seeds of the Cultural Revolution were beginning to take effect in China and his parents decided to relocate to British-ruled Hong Kong. The two older children were meant to join them later, but the borders closed before they had a chance and Wong did not see his brother or sister again for ten years. In Hong Kong, the family settled in the Tsim Sha Tsui district, and his father got work managing a night club. Being an only child in a new city, and speaking only Mandarin, Wong has said he felt isolated during his childhood; he struggled to learn Cantonese and English, only becoming fluent in these new languages when he was a teenager.

1960

For his follow-up film, Wong decided to move away from the crime trend in Hong Kong cinema, to which he felt indifferent. He was eager to make something more unusual, and the success of As Tears Go By made this possible. Developing a more personal project than his previous film, Wong picked the 1960s as a setting – evoking an era that he remembered well and had a "special feeling" for. Days of Being Wild focuses on a disillusioned young adult named Yuddy and those around him. There is no straightforward plot or obvious genre, but Stephen Teo sees it as a film about the "longing for love". Andy Lau, Maggie Cheung, and Jacky Cheung rejoined Wong for his second film, while Leslie Cheung was cast in the central role. Hired as Cinematographer was Christopher Doyle, who became one of Wong's most important collaborators, photographing his next six films.

1962

Maggie Cheung and Tony Leung Chiu-wai play the lead characters, who move into an apartment building on the same day in 1962 and discover that their spouses are having an affair; over the next four years they develop a strong attraction. Teo writes that the film is a study of "typical Chinese reserve and repressed desire", while Schneider describes how the "strange relationship" is choreographed with "the grace and rhythm of a waltz" and depicted in "a dreamlike haze by an eavesdropping camera".

1980

As a youth, Wong was frequently taken to the cinema by his mother and exposed to a variety of films. He later said: "The only hobby I had as a child was watching movies". At school he was interested in graphic design, and earned a diploma in the subject from Hong Kong Polytechnic in 1980. After graduating, Wong was accepted onto a training course with the TVB television network, where he learned the processes of media production.

1981

He soon began a screenwriting career, firstly with TV series and soap operas, such as Don't Look Now (1981), before progressing to film scripts. He worked as part of a team, contributing to a variety of genres including romance, comedy, thriller, and crime. Wong had little enthusiasm for these early projects, described by film scholar Gary Bettinson as "occasionally diverting and mostly disposable", but continued to write throughout the 1980s on films including Just for Fun (1983), Rosa (1986), and The Haunted Cop Shop of Horrors (1987). He is credited with ten screenplays between 1982 and 1987, but claims to have worked on about fifty more without official credit. Wong spent two years co-writing the screenplay for Patrick Tam's action film Final Victory (1987), for which he was nominated at the 7th Hong Kong Film Awards.

1987

By 1987 the Hong Kong film industry was at a peak, enjoying a considerable level of prosperity and productivity. New Directors were needed to maintain this success, and – through his links in the industry – Wong was invited to become a partner on a new independent company, In-Gear, and given the opportunity to direct his own picture. Gangster films were popular at the time, in the wake of John Woo's highly-successful A Better Tomorrow (1986), and Wong decided to follow suit. Specifically, unlike Hong Kong's other crime films, he chose to focus on young Gangsters. The film, named As Tears Go By, tells the story of a conflicted youth who has to watch over his hot-headed friend.

1988

Because he was well acquainted with the Producer, Alan Tang, Wong was given considerable freedom in the making of As Tears Go By. His cast included what he considered some of "the hottest young idols in Hong Kong": singer Andy Lau, Maggie Cheung, and Jacky Cheung. As Tears Go By was released in June 1988 and was popular with audiences. It was also a critical success, as several journalists named Wong among the "Hong Kong New Wave". While it was a conventional crime film, critic David Bordwell said that Wong "[stood] out from his peers by abandoning the kinetics of comedies and action movies in favour of more liquid atmospherics." As Tears Go By received no attention from Western critics upon its initial release, but was selected to be screened during Directors' Fortnight of the 1989 Cannes Film Festival.

1990

While his reputation grew steadily throughout the early 1990s, Wong's international standing was "thoroughly consolidated" with the 1997 romantic drama Happy Together (1997). Its development was influenced by the Handover of Hong Kong from Britain to China, which occurred that year. Wong was widely expected to address the event in his next film; instead, he avoided the pressure by choosing to shoot in Argentina. The issues of the Handover were nevertheless important: knowing that homosexuals in Hong Kong faced uncertainty after 1997, Wong decided to focus on a relationship between two men. He was keen to present the relationship as ordinary and universal, as he felt Hong Kong's previous LGBT films had not.

1992

Struggling to get support for his work, in 1992 Wong formed his own production company, Jet Tone Films, with Jeff Lau. In need of further backing, Wong accepted a studio's offer that he make a wuxia (ancient martial arts) film based on the popular novel The Legend of the Condor Heroes by Jin Yong. Wong was enthusiastic about the idea, claiming he had long wanted to make a costume drama. He eventually took little from the book other than three characters, and in 1992 began experimenting with several different narrative structures to weave what he called "a very complex tapestry". Filming began with another all-star cast: Leslie, Maggie, and Jacky Cheung returned alongside Brigitte Lin, Carina Lau, Charlie Young, and Tony Leung Chiu-wai − the latter of which became one of Wong's key collaborators.

1994

Set during the Song dynasty, Ashes of Time concerns a desert-exiled Assassin who is called upon by several different characters while nursing a broken heart. It was a difficult production and the project was not completed for two years, at a cost of HK$47 million. Upon release in September 1994, audiences were confused by the film's vague plotting and atypical take on wuxia. Film scholar Martha P. Nochimson has called it "the most unusual martial arts film ever made", as fast-paced action scenes are replaced with character ruminations and story becomes secondary to the use of colour, landscape, and imagery. As such Ashes of Time was a commercial failure, but critics were generally appreciative of Wong's "refusal to be loyal to [the wuxia] genre". The film won several local awards, and competed at the Venice Film Festival where Christopher Doyle won Best Cinematography. In 2008, Wong reworked the film and re-released it as Ashes of Time Redux.

1995

Fallen Angels is broadly considered a crime thriller, and contains scenes of extreme violence, but is atypical of the genre and heavily infused with Wong's fragmented, experimental style. The loose plot again involves two distinct, subtly overlapping narratives, and is dominated by frantic visuals. The film mostly occurs at night and explores the dark side of Hong Kong, which Wong planned intentionally to balance the sweetness of Chungking: "It's fair to show both sides of a coin". Takeshi Kaneshiro and Charlie Young were cast again, but new to Wong's films were Leon Lai, Michelle Reis and Karen Mok. Upon release in September 1995, several critics felt that the film was too similar to Chungking Express and some complained that Wong had become self-indulgent. Film historians Zhang Yingjin and Xiao Zhiwei commented: "While not as groundbreaking as its predecessors, the film is still different and innovative enough to confirm [Wong's] presence on the international scene" Since its release, Fallen Angels has been considered to be one of Wong's greatest and most influential works, along with Chungking Express and In the Mood For Love.

1996

Wong is an important figure in contemporary cinema, regarded as one of the best filmmakers of his generation. His reputation as a maverick began early in his career: in the 1996 Encyclopedia of Chinese Film, Wong was described as having "already established a secure reputation as one of the most daring avant-garde filmmakers" of Chinese cinema. Authors Zhang and Xiao concluded that he "occupies a special place in contemporary film history", and had already "exerted a sizeable impact". With the subsequent release of Happy Together and In the Mood For Love, Wong's international standing grew further, and in 2002 voters for the British Film Institute named him the third greatest Director of the previous quarter-century. In 2015, Variety named him an icon of arthouse cinema.

1998

Outside of cinema, Wong has been heavily influenced by literature. He has a particular affinity for Latin American Writers, and the fragmentary nature of his films came primarily from the "scrapbook structures" of novels by Manuel Puig and Julio Cortázar, which he attempted to emulate. Haruki Murakami, particularly his novel Norwegian Wood, also provided inspiration, as did the writing of Liu Yichang. The television channel MTV was a further influence on Wong. He said in 1998, "in the late eighties, when it was first shown in Hong Kong, we were all really impressed with the Energy and the fragmented structure. It seemed like we should go in this direction."

2004

Before starting on his next feature, Wong worked on the anthology film Eros (2004), providing one of three short films (the others directed by Michelangelo Antonioni and Steven Soderbergh) that centre on the theme of lust. Wong's segment, titled "The Hand", starred Gong Li as a 1960s call girl and Chang Chen as her potential client. Although Eros was not well received, Wong's segment was often called the most successful.

2005

In his 2005 monograph, Brunette gives the opinion that Happy Together marked "a new stage in [Wong's] artistic development", and along with its successor – In the Mood For Love (2000) – showcases the Director at "the zenith of his cinematic art." The latter film emerged from a highly complicated production history that lasted two years. Several different titles and projects were planned by Wong before they evolved into the final result: a romantic melodrama set in 1960s Hong Kong that is seen as an unofficial sequel to Days of Being Wild. Wong decided to return to the era that fascinated him, and reflected his own background by focusing on Shanghainese émigrés.

2006

Wong's oeuvre consists of ten directed features, 16 films where is he credited only as Screenwriter, and seven films from other Directors that he has produced. He has also directed commercials, short films, and music videos, and contributed to two anthology films. He has received awards and nominations from organisations in Asia, Europe, North America, and South America. In 2006, Wong accepted the National Order of the Legion of Honour: Knight (Lowest Degree) from the French Government. In 2013, he was bestowed with the Order of Arts and Letters: Commander (Highest Degree) by the French Minister of Culture. The International Film Festival of India gave Wong a Lifetime Achievement Award in 2014.

2012

In the 2012 Sight & Sound poll – whereby industry professionals submit ballots to determine the greatest films of all time – In the Mood For Love was ranked 24th, the highest ranked film since 1980 and the sixth greatest film by a living Director. Chungking Express and Days of Being Wild both ranked in the top 250; Happy Together and 2046 in the top 500; and Ashes of Time and As Tears Go By also featured (all but two of Wong's films to that point) . Directors influenced by Wong include Quentin Tarantino, Sofia Coppola, Lee Myung-se, Tom Tykwer, Zhang Yuan, Tsui Hark., and Barry Jenkins.

2013

Though Wong admits to being controlling, and oversees every aspect the filmmaking process, he has formed several long-lasting partnerships and close collaborators. In 2013 he said, "It is always good to work with a very regular group of people because we know how high we can fly and what are the parameters, and it becomes very enjoyable." Two men have been instrumental in developing and achieving his aesthetic: production designer william Chang and Cinematographer Christopher Doyle. Chang has worked on every Wong film and is a trusted confidant, responsible for all set design and costuming. Doyle photographed seven of his projects, all from Days of Being Wild to 2046. Stephen Schneider writes that he deserves "much credit" in Wong's success, as his "masterful use of light and colour renders every frame a work of art". Wong's other regular colleagues include writer-producer Jeffrey Lau, Producer Jacky Pang, and assistant Director Johnnie Kong.

2017

In September 2017 Amazon Video issued a straight-to-series order for Tong Wars, a television drama to be directed by Wong. It focuses on the gang wars that occurred in nineteenth-century San Francisco. Regarding his next film, the Asian media has reported that it will be titled Blossoms and based on a book by Jin Yucheng, which focuses on numerous characters in Shanghai from the 1960s to the 2000s. When asked about his career in 2014, Wong told The Independent, "To be honest with you, I feel I’m only halfway done."

2019

Wong often casts the same actors. He is strongly associated with Tony Leung Chiu-wai, who has appeared in every film apart from As Tears Go By and My Blueberry Nights. Wong describes him as a partner, stating, "I feel like there is a lot of things between me and Tony that is beyond words. We don’t need meetings, talks, whatever, because a lot of things are understood." Other actors who have appeared in at least three of his films are Maggie Cheung, Chang Chen, Leslie Cheung, Jacky Cheung, and Carina Lau.

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