When the Civil War began on April 12, 1861, Booth was starring in Albany, New York. He was outspoken in his admiration for the South's secession, publicly calling it "heroic." This so enraged local citizens that they demanded that he be banned from the stage for making "treasonable statements". Albany's drama critics were kinder, giving him rave reviews. One called him a genius, praising his acting for "never fail[ing] to delight with his masterly impressions." As the Civil War raged across the divided land in 1862, Booth appeared mostly in Union and border states. In January, he played the title role in Richard III in St. Louis and then made his Chicago debut. In March, he made his first acting appearance in New York City. In May 1862, he made his Boston debut, playing nightly at the Boston Museum in Richard III (May 12, 15 and 23), Romeo and Juliet (May 13), The Robbers (May 14 and 21), Hamlet (May 16), The Apostate (May 19), The Stranger (May 20), and The Lady of Lyons (May 22). Following his performance of Richard III on May 12, the Boston Transcript's review the next day called Booth "the most promising young actor on the American stage".