Inspired by his progressive artistic education, Ferenczy returned to Hungary in 1824. where by the 1830s he had modelled the portraits ("Ürmélyi", "Rudnay", "Kazinczy", etc.), tombs ("Kulcsár", "Szánthó", "Fornay", ), and altarpieces ("The Blessed" in Vál, "The Martyrdom of St. Stephen" in Esztergom,) and some smaller memorials ("Károly Kisfalady" in Muzeumkert, Budapest).