Milwaukee-born Don Weis began as a director of light-hearted, often youth-oriented entertainment. After graduating in...
Don Weis is a member of Director

Does Don Weis Dead or Alive?

As per our current Database, Don Weis has been died on 26 July, 2000 at Santa Fe, New Mexico, USA.

🎂 Don Weis - Age, Bio, Faces and Birthday

When Don Weis die, Don Weis was 78 years old.

Popular As	Don Weis
Occupation	Director
Age	78 years old
Zodiac Sign	Taurus
Born	May 13, 1922 (Milwaukee, Wisconsin, USA)
Birthday	May 13
Town/City	Milwaukee, Wisconsin, USA
Nationality	USA

🌙 Zodiac

Don Weis’s zodiac sign is Taurus. According to astrologers, Taurus is practical and well-grounded, the sign harvests the fruits of labor. They feel the need to always be surrounded by love and beauty, turned to the material world, hedonism, and physical pleasures. People born with their Sun in Taurus are sensual and tactile, considering touch and taste the most important of all senses. Stable and conservative, this is one of the most reliable signs of the zodiac, ready to endure and stick to their choices until they reach the point of personal satisfaction.

🌙 Chinese Zodiac Signs

Don Weis was born in the Year of the Dog. Those born under the Chinese Zodiac sign of the Dog are loyal, faithful, honest, distrustful, often guilty of telling white lies, temperamental, prone to mood swings, dogmatic, and sensitive. Dogs excel in business but have trouble finding mates. Compatible with Tiger or Horse.

Milwaukee-born Don Weis began as a director of light-hearted, often youth-oriented entertainment. After graduating in film studies from the University of Southern California in 1942, he got his first job as an errand boy at Warner Brothers.

He saw wartime service as a technician with the 1st Motion Picture Unit of the U.S. Army Air Corps, involved in the production of training films at Culver City. After the war he resumed his apprenticeship with Enterprise Productions as a dialogue director and assistant on several pictures produced by Stanley Kramer.

In 1951 he was signed by Dore Schary to a two-year contract at MGM, making his directorial feature debut with the newspaper expose Bannerline (1951). This was followed by a string of light comedies and musicals of widely varying quality.

Among the best of the bunch was the cheerful George Wells-scripted and -produced musical I Love Melvin (1953) starring Debbie Reynolds and Donald O'Connor, highlighted by several exuberant dance routines and an engaging dream sequence in which Debbie sings "A Lady Loves".

There was also a youthful college comedy, The Affairs of Dobie Gillis (1953), and an enjoyable minor sword-and-sandal outing made for Fox, entitled The Adventures of Hajji Baba (1954). Of considerably less interest were two inane entries in the "beach party" genre aimed specifically at the teen market: the sleep-inducing, apropriately-titled Pajama Party (1964) and the even sillier The Ghost in the Invisible Bikini (1966), which sadly wasted the talents of such excellent screen veterans as Boris Karloff and Basil Rathbone.

It didn't get any better with the decidely laborious and unamusing farce Did You Hear the One About the Traveling Saleslady? (1968). Though conceived by two talented writers (James Fritzell and Everett Greenbaum) who later earned a well-deserved reputation for their rather wittier collaborative effort on M*A*S*H (1972), the humour was as obvious as the title might suggest.

The venture, predictably, did not make a screen star out of Phyllis Diller.In 1954 Weis began to direct episodes for television, a medium to which he found himself eminently suited. In the course of the next 30 years he became one of TV's busiest directors and one of the most accomplished, winning six annual awards from the Directors Guild of America.

Ranging across every known genre, he was equally at ease helming the iconic Batman (1966) as he was behind the camera of some 58 episodes of crime-busting, wheelchair-bound Ironside (1967), or guiding four of the best installments of the cult series Kolchak: The Night Stalker (1974).

Weis achieved his greatest success directing a brace of the most enduring episodes of the long-running and much-loved medical comedy "M*A*S*H*". Following his retirement he presided over the Motion Picture Permanent Charities Committee (PCC) and served on the board of the New Mexico Film Council.