As per our current Database, Danny Steinmann has been died on 18 December, 2012 at Los Angeles, California, USA.
When Danny Steinmann die, Danny Steinmann was 70 years old.
| Popular As | Danny Steinmann |
| Occupation | Director |
| Age | 70 years old |
| Zodiac Sign | Capricorn |
| Born | January 7, 1942 (New York City, New York, USA) |
| Birthday | January 7 |
| Town/City | New York City, New York, USA |
| Nationality | USA |
Danny Steinmann’s zodiac sign is Capricorn. According to astrologers, Capricorn is a sign that represents time and responsibility, and its representatives are traditional and often very serious by nature. These individuals possess an inner state of independence that enables significant progress both in their personal and professional lives. They are masters of self-control and have the ability to lead the way, make solid and realistic plans, and manage many people who work for them at any time. They will learn from their mistakes and get to the top based solely on their experience and expertise.
Danny Steinmann was born in the Year of the Horse. Those born under the Chinese Zodiac sign of the Horse love to roam free. They’re energetic, self-reliant, money-wise, and they enjoy traveling, love and intimacy. They’re great at seducing, sharp-witted, impatient and sometimes seen as a drifter. Compatible with Dog or Tiger.
Writer/director/producer Danny Steinmann was the son of noted East Coast art collector Herbert R. Steinmann. Danny made his debut as both writer and director with the funky hardcore porno picture High Rise (1973), on which he used the alias Danny Stone.
Steinmann was a production associate on Arthur Hiller's The Man in the Glass Booth (1975) and served as an associate producer on the offbeat Gene Roddenberry made-for-TV supernatural fright feature Spectre (1977).
In addition, Danny headed a production company in Puerto Rico that made TV commercials for such companies as International House of Pancakes, Chase Manhattan Bank and Wesson Oil.Danny directed and co-wrote the perverse psycho horror winner The Unseen (1980).
Dissatisfied with the finished version of the film, Steinmann attributed his directorial credit to the pseudonym Peter Foleg. He followed this film with the terrifically trashy teen exploitation action/revenge thriller doozy Savage Streets (1984).
Steinmann hit the relative big time with the mean-spirited slice-'n'-dice sequel Friday the 13th: A New Beginning (1985). Although the movie was a financial success, the production was very troubled and proved to be his cinematic swan song.
He was announced as the director for a proposed sequel to the notorious The Last House on the Left (1972) but, alas, this project never came to be.
