As per our current Database, Catherine Doucet has been died on 24 June, 1958 at New York City, New York, USA.
When Catherine Doucet die, Catherine Doucet was 83 years old.
| Popular As | Catherine Doucet |
| Occupation | Actress |
| Age | 83 years old |
| Zodiac Sign | Gemini |
| Born | June 20, 1875 (Richmond, Virginia, USA) |
| Birthday | June 20 |
| Town/City | Richmond, Virginia, USA |
| Nationality | USA |
Catherine Doucet’s zodiac sign is Gemini. According to astrologers, Gemini is expressive and quick-witted, it represents two different personalities in one and you will never be sure which one you will face. They are sociable, communicative and ready for fun, with a tendency to suddenly get serious, thoughtful and restless. They are fascinated with the world itself, extremely curious, with a constant feeling that there is not enough time to experience everything they want to see.
Catherine Doucet was born in the Year of the Pig. Those born under the Chinese Zodiac sign of the Pig are extremely nice, good-mannered and tasteful. They’re perfectionists who enjoy finer things but are not perceived as snobs. They enjoy helping others and are good companions until someone close crosses them, then look out! They’re intelligent, always seeking more knowledge, and exclusive. Compatible with Rabbit or Goat.
American character actress from the theatre, former school teacher. On the New York stage since 1906 with 'Brown of Harvard', co-starring Laura Hope Crews. She acted under her maiden name Catherine Calhoun until 1920, then adopted the surname of her husband, the actor Paul Doucet, appearing almost exclusively in comedy.
Her major successes included 'Miss Lulu Bett' (1920-21) and 'The Potters' (1923-24) as Ma Potter. Catherine Doucet made just a handful of films before the mid-1930's, only coming to the fore as Martha Dobie's (played by Miriam Hopkins) selfish aunt Lily Mortar in These Three (1936), based on Lillian Hellman's play 'The Children's Hour'.
Film critic Frank S. Nugent described her performance as 'flawless'. For the rest of her career, Catherine portrayed a variety of indomitable matrons and society ladies. She gave excellent comic support in both stage and screen versions of 'As Husbands Go' and made a memorable foil to W.
C. Fields in Poppy (1936).
