As per our current Database, Amparo Muñoz has been died on 27 February, 2011 at Málaga, Málaga, Andalucía, Spain.
When Amparo Muñoz die, Amparo Muñoz was 57 years old.
| Popular As | Amparo Muñoz |
| Occupation | Actress |
| Age | 57 years old |
| Zodiac Sign | Cancer |
| Born | June 22, 1954 (Vélez-Málaga, Málaga, Andalucía, Spain) |
| Birthday | June 22 |
| Town/City | Vélez-Málaga, Málaga, Andalucía, Spain |
| Nationality | Spain |
Amparo Muñoz’s zodiac sign is Cancer. According to astrologers, the sign of Cancer belongs to the element of Water, just like Scorpio and Pisces. Guided by emotion and their heart, they could have a hard time blending into the world around them. Being ruled by the Moon, phases of the lunar cycle deepen their internal mysteries and create fleeting emotional patterns that are beyond their control. As children, they don't have enough coping and defensive mechanisms for the outer world, and have to be approached with care and understanding, for that is what they give in return.
Amparo Muñoz was born in the Year of the Horse. Those born under the Chinese Zodiac sign of the Horse love to roam free. They’re energetic, self-reliant, money-wise, and they enjoy traveling, love and intimacy. They’re great at seducing, sharp-witted, impatient and sometimes seen as a drifter. Compatible with Dog or Tiger.
Immediately after her victory in the world of beauty, the world of cinema took interest in her. In Wholesome Married Life, directed by Roberto Bodegas and written by José Luis Garci, she played the temptress of José Sacristán, a married man obsessed with publicity.
In Tocata y fuga de Lolita, by Antonio Drove, she was the rebellious girl who displayed her beautiful bust, a big contributor to the movie's popularity. In the 70's, Spanish cinema was at the height of destape [double meaning: "liberalization" and "nudity"], and the splendid figure of Amparo Muñoz found 9 titles in which to reveal itself, including Sensualidad (Germán Lorente, 1975), Clara is the Price (Vicente Aranda, 1975), and The Other Bedchamber (Eloy de la Iglesia, 1976).
After appearances in Volvoreta (José Antonio Nieves Conde, 1976), Mauricio, mon amour (Juan Bosch, 1976), Acto de posesión (Javier Aguirre, 1977), and Del amor y de la muerte (Antonio Giménez Rico, 1977), among other films, her cinematic career took a notable turn when she began a relationship with the producer Elías Querejeta, facilitating her appearances in films as important as Mama's 100th Birthday (Carlos Saura, 1979) and Dedicatoria (Jaime Chávarri, 1980), which called her to the attention of other directors in both Spain and Mexico, such as Felipe Cazals (The Seven Cuckoos), Antonio Artero (Take That, Bitch), Pilar Miró (We Will Speak Tonight), Fernando Méndez-Leite (Summertime Sonata), Jaime Camino (The Open Balcony), Emilio Martínez Lázaro (Lulú of the Night), Imanol Uribe (The Black Moon), and Fernando León de Aranoa (Familia).
